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An action has hundreds of friction points. Over time, centres develop play or bind, wood moves and felts compact. I treat these contacts one by one, felt on wood or on metal, with products chosen to the highest standards of the trade, then touch up the regulation. A heavy keyboard becomes light and precise again, and the piano gains in nuance: the ideal companion to voicing.

Recommended about every 5 years.

Touch care →

The hammer is the key to the sound. With playing, its felt compacts and grooves where it meets the strings: the tone becomes harsh, uneven or dull. I restore the hammers’ shape and elasticity, then work the tone note by note, according to the instrument’s character, the room, living room or concert hall, and your taste. The aim: an even line, a tone that carries and sings, a wide dynamic range. A well-regulated touch (touch care) makes the most of it.

Recommended every 3 to 5 years, more often for a heavily played piano.

Hammers already reshaped many times or badly worn? A new set of hammers may be the better choice: I assess this during a tuning or an appraisal and give you a quote.

With a tuning: voicing needs clean unisons.

Voicing →

An action has hundreds of friction points. Over time, centres develop play or bind, wood moves and felts compact. I treat these contacts one by one, felt on wood or on metal, with products chosen to the highest standards of the trade, then touch up the regulation. A heavy keyboard becomes light and precise again, and the piano gains in nuance: the ideal companion to voicing.

Recommended about every 5 years.

Touch care →

The hammer is the key to the sound. With playing, its felt compacts and grooves where it meets the strings: the tone becomes harsh, uneven or dull. I restore the hammers’ shape and elasticity, then work the tone note by note, according to the instrument’s character, the room, living room or concert hall, and your taste. The aim: an even line, a tone that carries and sings, a wide dynamic range. A well-regulated touch (touch care) makes the most of it.

Recommended every 3 to 5 years, more often for a heavily played piano.

Hammers already reshaped many times or badly worn? A new set of hammers may be the better choice: I assess this during a tuning or an appraisal and give you a quote.

With a tuning: voicing needs clean unisons.

Voicing →

An action has hundreds of friction points. Over time, centres develop play or bind, wood moves and felts compact. I treat these contacts one by one, felt on wood or on metal, with products chosen to the highest standards of the trade, then touch up the regulation. A heavy keyboard becomes light and precise again, and the piano gains in nuance: the ideal companion to voicing.

Recommended about every 5 years.

Touch care →

The hammer is the key to the sound. With playing, its felt compacts and grooves where it meets the strings: the tone becomes harsh, uneven or dull. I restore the hammers’ shape and elasticity, then work the tone note by note, according to the instrument’s character, the room, living room or concert hall, and your taste. The aim: an even line, a tone that carries and sings, a wide dynamic range. A well-regulated touch (touch care) makes the most of it.

Recommended every 3 to 5 years, more often for a heavily played piano.

Hammers already reshaped many times or badly worn? A new set of hammers may be the better choice: I assess this during a tuning or an appraisal and give you a quote.

With a tuning: voicing needs clean unisons.

Voicing →

An action has hundreds of friction points. Over time, centres develop play or bind, wood moves and felts compact. I treat these contacts one by one, felt on wood or on metal, with products chosen to the highest standards of the trade, then touch up the regulation. A heavy keyboard becomes light and precise again, and the piano gains in nuance: the ideal companion to voicing.

Recommended about every 5 years.

Touch care →

The hammer is the key to the sound. With playing, its felt compacts and grooves where it meets the strings: the tone becomes harsh, uneven or dull. I restore the hammers’ shape and elasticity, then work the tone note by note, according to the instrument’s character, the room, living room or concert hall, and your taste. The aim: an even line, a tone that carries and sings, a wide dynamic range. A well-regulated touch (touch care) makes the most of it.

Recommended every 3 to 5 years, more often for a heavily played piano.

Hammers already reshaped many times or badly worn? A new set of hammers may be the better choice: I assess this during a tuning or an appraisal and give you a quote.

With a tuning: voicing needs clean unisons.

Voicing →